杨腓力（Philip Yancey），美国当代作家。《今日基督教》（Christianity Today）杂志主编。目光深邃，语言纯熟，洞察力敏锐，常常道出众人不知、不能、不敢的疑问，作品影响深远，曾12次获得美国ECPA图书金奖，被译成 25种语言出版。代表作有《有话问苍天》、《无语问上帝》、《恩典多奇异》、《耶稣真貌》等。

杨腓力（Philip Yancey），美国当代作家。《今日基督教》（Christianity Today）杂志主编。目光深邃，语言纯熟，洞察力敏锐，常常道出众人不知、不能、不敢的疑问，作品影响深远，曾12次获得美国ECPA图书金奖，被译成 25种语言出版。代表作有《有话问苍天》、《无语问上帝》、《恩典多奇异》、《耶稣真貌》等。

杨腓力（Philip Yancey），美国当代作家。《今日基督教》（Christianity Today）杂志主编。目光深邃，语言纯熟，洞察力敏锐，常常道出众人不知、不能、不敢的疑问，作品影响深远，曾12次获得美国ECPA图书金奖，被译成 25种语言出版。代表作有《有话问苍天》、《无语问上帝》、《恩典多奇异》、《耶稣真貌》等。

杨腓力（Philip Yancey），美国当代作家。《今日基督教》（Christianity Today）杂志主编。目光深邃，语言纯熟，洞察力敏锐，常常道出众人不知、不能、不敢的疑问，作品影响深远，曾12次获得美国ECPA图书金奖，被译成 25种语言出版。代表作有《有话问苍天》、《无语问上帝》、《恩典多奇异》、《耶稣真貌》等。

杨腓力（Philip Yancey），美国当代作家。《今日基督教》（Christianity Today）杂志主编。目光深邃，语言纯熟，洞察力敏锐，常常道出众人不知、不能、不敢的疑问，作品影响深远，曾12次获得美国ECPA图书金奖，被译成 25种语言出版。代表作有《有话问苍天》、《无语问上帝》、《恩典多奇异》、《耶稣真貌》等。

杨腓力（Philip Yancey），美国当代作家。《今日基督教》（Christianity Today）杂志主编。目光深邃，语言纯熟，洞察力敏锐，常常道出众人不知、不能、不敢的疑问，作品影响深远，曾12次获得美国ECPA图书金奖，被译成 25种语言出版。代表作有《有话问苍天》、《无语问上帝》、《恩典多奇异》、《耶稣真貌》等。

The death of Judd Foxman’s father marks the first time that the entire Foxman family—including Judd’s mother, brothers, and sister—have been together in years. Conspicuously absent: Judd’s wife, Jen, whose fourteen-month affair with Judd’s radio-shock-jock boss has recently become painfully public. Simultaneously mourning the death of his father and the demise of his marriage, ...(展开全部)

The death of Judd Foxmanas father marks the first time that the entire Foxman familyaincluding Juddas mother, brothers, and sisterahave been together in years. Conspicuously absent: Juddas wife, Jen, whose fourteen-month affair with Juddas radio-shock-jock boss has recently become painfully public. Simultaneously mourning the death of his father and the demise of his marriage,...(展开全部)

Poor Judd Foxman returns home early to find his wife in bed with his boss - in the act. He now faces the twin threats of both divorce and unemployment. His misery is compounded further with the sudden death of his father. He is then asked to come and 'sit Shiva' for his newly deceased parent with his angry, screwed up and somewhat estranged brothers and sisters in his childhood...(展开全部)

“You should be here; he’s simply magnificent.” These are the final words a biologist hears before his wife dies at the hands of Godzilla. The words haunt him as he studies the Kaiju (Japan’s giant monsters) on an island reserve, attempting to understand the beauty his wife saw. “The Return to Monsterland” opens Where We Go When All We Were Is Gone, a collection of twelve fabuli...(展开全部)